
Maggie Mae Fish (she/her) discusses three early films as examples of radical portrayals of sex, sexuality, and gender. From the homoeroticism of Wings (1927), to the female empowerment of Ecstasy (1933), to the commentary on colorism and mixed-race relationships of Veiled Aristocrats (1932), these old movies were more subversive than you might imagine.
Maggie Mae Fish (she/her) discusses three early films as examples of radical portrayals of sex, sexuality, and gender. From the homoeroticism of Wings (1927), to the female empowerment of Ecstasy (1933), to the commentary on colorism and mixed-race relationships of Veiled Aristocrats (1932), these old movies were more subversive than you might imagine.
Maggie Mae Fish (she/her) explores the work of David Lean, who wasn’t gay himself, but who wove queer themes throughout his filmography. From his early work with the gay writer Noël Coward on Brief Encounter (1945), to the homoerotic subtext of Lawrence of Arabia (1962), to the gender-bending failed romance of Ryan’s Daughter (1970), Lean’s films offer rich subtext, and some surprisingly progressive (though not always) ideas.