Werewolves, cat people, body-snatchers and doppelgängers are uniquely queer metaphors; from the classic "The Wolf Man" to queer-authored "Cat People," the monsters of the 1940s express shame and seek to rid themselves of the secret self.

The dangerous queer woman has been terrorizing horror audiences since before the dawn of cinema; the lesbian vampire sucks the lifeblood from women and men alike in the gothic novella "Carmilla" and films like "Dracula's Daughter."